![]() Nausicaa of the Valley of the Wind is the bedrock of Studio Ghibli. Nausicaâ of the Valley of the Wind Studio Ghibli/GKids Her well-meaning father's attempts to transform Kaguya into a "princess" sneak up on you, growing brutal and traumatic. ![]() She's a boisterous, energetic woman from the country, strait-jacketed into a patriarchal society that demands she pluck her eyebrows, dye her teeth black and conform to a set of societal expectations completely alien to her and her humble origins. Takahata's Princess Kaguya is the opposite. "The heroine's transformation was enigmatic, and it didn't evoke any empathy from me." "It was a strange story," he explained in a 2014 interview. As a child, Takahata was left cold by the mysterious heroine. Takahata's version of Kaguya is a foil to the princess he remembers from his very first reading of The Tale of the Bamboo Cutter. It's a morality tale of sorts, seen through the eyes of a young girl at odds with a world intent on putting her in a cage. ![]() It tells the story of Princess Kaguya, a girl sent from the moon who grows into a woman of great beauty, attracting noble suitors from princes all the way to the Emperor of Japan. In this, his last movie, Takahata returns to a beginning.Ĭonsidering it's an adaptation of a 10th century text, Princess Kaguya is actually fairly faithful to its source material, taking the spine of a timeless tale and augmenting it with a feminist bent. An adaptation of The Tale of the Bamboo Cutter, Kaguya revisits a 10th century monogatari epic sometimes considered Japan's first recorded piece of fictional literature. The Tale of Princess Kaguya is fitting as Takahata's final film. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |